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Light fried chunks white meat with broccoli, bamboo shoots, baby corns, snow peas, carrots and mushrooms in a spicy brown sauce

Diced chicken with diced celery, green pepper green onion and peanuts sauteed in rich Kung Pao brown sauce

Sliced white meat with celery, water chestnuts, bamboo shoots, tree ears and green onions in hot spicy garlic sauce

Diced chicken sauteed with crispy cashew nuts, mushroom, green peas, green onion and celery and water chestnuts in chefs brown sauce

Sliced white meat sauteed with cabbage, bamboo shoots, scallion, mushroom, tree eats and egg. Served with pancakes (lunch 3, dinner 4, 30 cents extra)

Jumbo shrimp sauteed with broccoli, mushrooms, bamboo shoots, baby corns, and green pepper in spicy brown sauce

Shrimp with celery, water chestnut, bamboo shoots, tree ears and scallion sauteed in hot garlic sauce

Shrimp sauteed with crisp cashew nuts, celery hearts, mushroom, green peas, water chestnuts and green onion in chefs brown sauce

Large sea scallops sauteed with broccoli, mushroom, bamboo shoots, baby corn and green pepper in chefs brown sauce

Large sea scallops sauteed with celery, green pepper green onion and peanuts in special Kung Pao brown sauce

Large sea scallops stir-cooked with celery, water chestnuts, bamboo shoots, tree ears and scallion in hot garlic sauce

Sliced beef stir-cooked with broccoli, mushroom, baby corns, bamboo shoots and green pepper in chefs hot brown sauce

Sliced beef with diced celery, green onion, green pepper, water chestnuts, and peanuts sauteed in rich Kung Pao brown sauce

Shredded beef sauteed with celery, water chestnuts, bamboo shoots, tree ears and green onion in hot spicy garlic sauce

Sliced beef sauteed with cabbage, bamboo shoots, scullions, mushrooms, tree ears and egg. Served with pancakes

Sliced pork stir-cooked with broccoli, mushrooms, bamboo shoots, baby corns and green pepper in hot brown sauce

Sliced pork sauteed with celery, water chestnuts, bamboo shoots, tree ears and green onions in hot spicy garlic sauce

Sliced pork sauteed with cabbage, bamboo shoots, scallion, mushroom, tree ears and egg. Served with pancakes

Roast pork and shrimp sauteed with ruby pepper, green pepper, onions and bean sprout in a light curry flavor

Rice noodles sauteed in Thai sweet and sour sauce with shrimp, bean sprouts, ground peanuts and onions (It is a very popular Thai noodle dish known around the world)

Stir-fried of egg, chopped cilantro, fried garlic, jalapeno and black pepper in the tasty light Thai sauce. (This dish comes with chicken, beef and shrimp)

Shredded cabbage sauteed with bamboo shoots, scallions, mushrooms, tree ears and egg, served with pancakes

Large chunks of choice steak cooked until crispy on the outside and tender inside, then sauteed with a crispy orange flavored sauce, served with steamed broccoli

Large chunks of chicken cooked until crispy, then sauteed with a crispy orange flavored sauce, served with steamed broccoli

Large chunks of crispy boneless chicken sauteed in chefs special brown sauce, served -with steamed broccoli

Jumbo shrimp and large sea scallops sauteed with celery, water chestnuts bamboo shoot, tree ears and green onion in hot spicy

Large chunks of crispy chicken, sauteed with rich brown sauce topped with sesame, served with steamed broccoli

Jumbo scallops and tender beef sauteed with snow peas, water chestnuts and mushroom in chefs brown oyster sauce

Jumbo shrimp, chicken white meat and tender beef sauteed with broccoli, baby com, mushroom and other vegetables in special brown sauce

Deep fried bean curd sauteed with shrimp, scallop, chicken, beef, roast pork with mixed vegetables in chefs brown sauce

Jumbo shrimp, scallops, roast pork, chicken and beef sauteed with broccoli, snow peas, mushrooms and bamboo shoots in chefs brown sauce

Served With White Rice & Can Soda Beef Lo Mein, Twice Cooked Pork, Sweet & Sour Shrimp, Chicken Vegetable

Served With Rice, Soup & Spring Roll (Shrimp Lo Mein (No Rice), Beef Broccoli, Sweet And Sour Shrimp, General Tsos Chicken

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The recipe for an exquisite piece of jewelry is akin to haute cuisine: masters employ special techniques to mix and adorn top-quality ingredients, creating something that is r greater than the sum of its parts. So says the unctuous wall text introducing Set in Style: The Jewelry of Van Cleef &taggering displays of wealth dont look out of place in this former Carnegie mansion. But allowing a luxury brand thats still very much in existence to bankroll its own exhibition one that often looks as if it were put together by the companys creative directors does not seem like a smart move, even if it draws A-listers to the opening-night gala.

Some might argue that other museums have done the same thing less transparently: the Met with some of its Costume Institute shows or the Guggenheim with Armani, which was not officially sponsored by the designer but followed his pledge of $15 million. These events fool no one, and the Cooper-Hewitt, as a branch of the Smithsonian, should be especially leery. (The corporate connection will not, of course, protect Set in Style from going dark this weekend, along with the rest of the Smithsonians offerings, in the event of a government shutdown.)

If Set in Style didnt feel so in thrall to the company it might be less of an embarrassment for the museum. The show and its catalog, organized around rubrics like innovation and transformation, are full of breathless text that reads like ad copy. A short video supplied by Van Cleef & blinding tiara worn by Princess Grace of Monaco; Marlene Dietrichs bold ruby-and-diamond bracelet that saw screen time in Stage Fright. If these dont impress, consider the four pieces two sets of pendant earrings, a brooch and a necklace that belonged to Elizabeth Taylor.

Also intriguing from a design perspective are objects with removable or transformable parts . a 95-carat yellow-diamond briolette that dangles from the beak of a bird-shaped brooch comes off to form a pendant; a necklace of gold, rubies and diamonds can be zipped into a bracelet pieces for people who can probably afford to buy everything separately. The installation isnt chronological, so viewers must take history where they can find it, as in a display of Art Deco bracelets said to be among the earliest examples of the style, or in a section on the invention of the minaudire (a petite case inspired by Florence Jay Goulds habit of stuffing her evening necessities into a cigarette box). A delightful little piece called the Bronx cocktail bracelet, from the 1930s, has charms in the form of Prohibition-era libations.

In

In the shows version of history, World War II was just a brief interruption in an ongoing epic of luxury and privilege. Members of the Arpels mily relocated to New York and picked up pretty much where they had left off, merging Old World skills with New World preferences and continuing to serve elite international clients like Eva Pern, the Duchess of Windsor and the Shah of Iran.

An entire gallery is devoted to Exoticism, with themes tailored to some of these clients or drawn from cultures that were once shionable. A 1920s bracelet of diamonds and colored stones, for instance, recreates motifs found in King Tuts tomb (excavated in 1922) with astonishing precision.

Another section, Fashion, features brooches that look like bows and earrings that drape like cloth. Its a shame that the crowds hovering over these objects dont seem to be their way upstairs to see Sonia Delaunays textiles, which have no sparkle but plenty of style.

I dont mean to diminish the pleasure people take in looking at spectacular pieces of jewelry or to suggest that jewelry has no place in the museum. But a company with the resources of Van Cleef &t in Style: The Jewelry of Van Cleef &ontinues through July 4 at the Cooper-Hewitt National Design Museum, 2 East 91st Street, Manhattan; (212) 849-8400, cooperhewitt1van cleef arpels inspired jewelryvan cleef rings prices.

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lunette louis vuitton evidence,Next »！TheThe Gernsback Continuum Mercifully, the whole thing is starting to de, to be- come an episode. When I do still catch the odd glimpse, its peripheral; mere fragments of mad-doctor chrome, confining themselves to the corner of the eye. There was that flying-wing liner over San Francisco last week, but it was almost translucent. And the shark-fin roadsters have gotten scarcer, and freeways discreetly avoid un- folding themselves into the gleaming eighty lane monsters I was forced to drive last month in my rented Toyota. And I know that none of it will follow me to New York; my vision is narrowing to a single wave- length of probability. Ive worked hard for that. Tele- vision helped a lot. I suppose it started in London, in that bogus Greek taverna in Battersea Park Road, with lunch on Cohens corporate tab. Dead steam-table food and it took them thirty minutes to find an ice bucket for the retsina. Cohen works for Barris-Watford, who publish big, trendy trade backs: illustrated histories of the neon sign, the pinball machine, the windup toys of Oc- cupied Japan. Id gone over to shoot a series of shoe ads; California girls with tanned legs and frisky Day- Gb jogging shoes had capered for me down the escalators of St. Johns Wood and across the platforms of Tooting Bec. A lean and hungry young agency had decided that the mystery of London Transport would sell waffle-tread nylon runners. They decide; I shoot. And Cohen, whom I knew vaguely from the old days in New York, had invited me to lunch the day before I was due out of Heathrow. He brought along a very sh- ionably dressed young woman named Dialta Downes, who was virtually chinless and evidently a noted pop-art historian. In retrospect, I see her walking in beside Cohen under a floating neon sign that flashes THIS WAY LIES MADNESS in huge sans-serif capitals. Cohen introduced us and explained that Dialta was the prime mover behind the latest Barris-Watford pro- ject, an illustrated history of what she called Ameri- can Streamlined Moderne. Cohen called it raygun Gothic. Their working title was The Airstream Futuropolis: The Tomorrow That Never Was. Theres a British obsession with the more baroque elements of American pop culture, something like the weird cowboys-and-Indians fetish of the West Germans or the aberrant French hunger for old Jerry Lewis films. In Dialta Downes this manifested itself in a mania for a uniquely American form of architecture that most Americans are scarcely aware of. At first I wasnt sure what she was talking about, but gradually it began to dawn on me. I found myself remembering Sunday morning television in the Fifties. Sometimes theyd run old eroded newsreels as filler on the local station. Youd sit there with a peanut butter sandwich and a glass of milk, and a static-ridden Hollywood baritone would tell you that there was A Flying Car in Your Future. And three Detroit engineers would putter around with this big old Nash with wings, and youd see it rumbling furiously down some deserted Michigan runway. You never actually saw it take off, but it flew away to Dialta Downess never-never land, true home of a generation of completely uninhibited technophiles. She was talking about those odds and ends of futuristic Thirties and Forties architecture you pass daily in American cities without noticing; the movie marquees ribbed to radiate some mysterious en- ergy, the dime stores ced with fluted aluminum, the chrome-tube chairs gathering dust in the lobbies of tran- sient hotels. She saw these things as segments of a dreamworld, abandoned in the uncaring present; she wanted me to photograph them for her. The Thirties had seen the first generation of Ameri- can industrial designers; until the Thirties, all pencil sharpeners had looked like pencil sharpeners your basic Victorian mechanism, perhaps with a curlicue of decorative trim. After the advent of the designers, some pencil sharpeners looked as though theyd been put to- gether in wind tunnels. For the most part, the change was only skin-deep; under the streamlined chrome shell, youd find the same Victorian mechanism. Which made a certain kind of sense, because the most successful American designers had been recruited from the ranks of Broadway theater designers. It was all a stage set, a series of elaborate props for playing at living in the future. Over coffee, Cohen produced a t manila envelope full of glossies. I saw the winged statues that guard the Hoover Dam, forty-foot concrete hood ornaments lean- ing steadstly into an imaginary hurricane. I saw a dozen shots of Frank Lloyd Wrights Johnsons Wax Building, juxtaposed with the covers of old Amazing Stories pulps, by an artist named Frank R. Paul; the employees of Johnsons Wax must have felt as though they were walking into one of Pauls spray-paint pulp utopias. Wrights building looked as though it had been designed for people who wore white togas and Lucite sandals. I hesitated over one sketch of a particularly grandiose prop-driven airliner, all wing, like a t sym- metrical boomerang with windows in unlikely places. Labeled arrows indicated the locations of the grand ballroom and two squash courts. It was dated 1936. This thing couldnt have flown. . . ? I looked at Dialta Downes. Oh, no, quite impossible, even with those twelve giant props; but they loved the look, dont you see? New York to London in less than two days, first-class dining rooms, private cabins, sun decks, dancing to jazz in the evening... The designers were populists, you see; they were trying to give the public what it wanted. What the public wanted was the future. Id been in Burbank for three days, trying to suffuse a really dull-looking rocker with charisma, when I got the package from Cohen. It is possible to photograph what isnt there; its damned hard to do, and consequently a very marketable talent. While Im not bad at it, Im not exactly the best, either, and this poor guy strained my Nikons credibility. I got out, depressed because I do like to do a good job, but not totally depressed, because I did make sure Id gotten the check for the job, and I decided to restore myself with the sublime artiness of the Barris-Watford assignment. Cohen had sent me some books on Thirties design, more photos of stream- lined buildings, and a list of Dialta Downess fifty vorite examples of the style in California. Architectural photography can involve a lot of wait- ing; the building becomes a kind of sundial, while you wait for a shadow to crawl away from a detail you want, or for the mass and balance of the structure to reveal itself in a certain way. While I was waiting, I thought myself in Dialta Downess America. When I isolated a few of the ctory buildings on the ground glass of the Hasselblad, they came across with a kind of sinister totalitarian dignity, like the stadiums Albert Speer built for Hitler. But the rest of it was relentlessly tacky: ephemeral stuff extruded by the collective American subconscious of the Thirties, tending mostly to survive along depressing strips lined with dusty motels, mattress wholesalers, and small used-car lots. I went for the gas stations in a big way. During the high point of the Downes Age, they put Ming the Merciless in charge of designing California gas stations. Favoring the architecture of his native Mongo, he cruised up and down the coast erecting raygun emplacements in white stucco. Lots of them featured superfluous central towers ringed with those strange radiator flanges that were a signature motif of the style, and made them look as though they might generate po- tent bursts of raw technological enthusiasm, if you could only find the switch that turned them on. I shot one in San Jose an hour before the bulldozers arrived and drove right through the structural truth of plaster and lathing and cheap concrete. Think of it, Dialta Downes had said, as a kind of alternate America: a 1980 that never happened. An architecture of broken dreams. And that was my frame of mind as I made the sta- tions of her convoluted socioarchitectural cross in my red Toyota as I gradually tuned in to her image of a shadowy America-that-wasnt, of Coca-Cola plants like beached submarines, and fifth-run movie houses like the temples of some lost sect that had worshiped blue mirrors and geometry. And as I moved among these secret ruins, I found myself wondering what the in- habitants of that lost future would think of the world I lived in. The Thirties dreamed white marble and slip- stream chrome, immortal crystal and burnished bronze, but the rockets on the covers of the Gernsback pulps had llen on London in the dead of night, screaming. After the war, everyone had a car no wings for it and the promised superhighway to drive it down, so that the sky itself darkened, and the fumes ate the marble and pitted the miracle crystal. . . And one day, on the outskirts of Bolinas, when I was setting up to shoot a particularly lavish example of Mings martial architecture, I penetrated a fine mem- brane, a membrane of probability... Every so gently, I went over the Edge And looked up to see a twelve-engined thing like a bloated boomerang, all wing, thrumming its way east with an elephantine grace, so low that I could count the rivets in its dull silver skin, and hear maybe the echo of jazz. I took it to Kihn. Merv Kihn, free-lance journalist with an extensive line in Texas pterodactyls, redneck UFO contactees, bush-league Loch Ness monsters, and the Top Ten con- spiracy theories in the loonier reaches of the American mass mind. Its good, said Kihn, polishing his yellow Polaroid shooting glasses on the hem of his Hawaiian shirt, but its not mental; lacks the true quill. But I saw it, Mervyn. We were seated poolside in brilliant Arizona sunlight. He was in Tucson waiting for a group of retired Las Vegas civil servants whose leader received messages from Them on her microwave oven. Id driven all night and was feeling it. Of course you did. Of course you saw it. Youve read my stuff; havent you grasped my blanket solution to the UFO problem? Its , plain and country sim- ple: people he settled the glasses carefully on his long hawk nose and fixed me with his best basilisk glare see . . . things. People see these things. Nothings there, but people see them anyway. Because they need to, probably. Youve read Jung. you should know the score... 1van cleef and arpels watches for sale.

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Katie Puckrik smells Midnight in Paris by Van Cleef &see how it holds up to my memory of it. My Blog Review on TSAR: ...

Hi, welcome to part 11 of my fragrance collection/wardrobe and tour. Ive accumulated some fragrances and am pleased to share ...

Fragrances with Lex - Tsar by Van Cleef & Arpels (1989) In todays video I discuss a nice green classic scent from the house of ...

This is me and my son Landens take on the wonderful powder scent Midnight In Paris by Van Cleef and Arpels. Released In 2010 ...

Hi there and welcome! A fragrance comparison and review of Van Cleef & Arpels Collection Extraordinaire Precious Oud and Tom ...

Sarah reviews Tsar by Van Cleef & Arpels. Watch our fragrance review for more on this sensual woodsy cologne. Get Tsar by Van ...

Sarah reviews Feerie by Van Cleef & Arpels. This charming fragrance is a wondrous blend of berries and flowers. Get Feerie by ...

Fragrances Mentioned: 1. 23 - Michael Jordan 2. F Black - Salvatore Ferragamo 3. Midnight in Paris - Van Cleef & Arpels 4.

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Ferie, by Van Cleef &st poke the suckers eyes out and dial 911, lol!

Seriously, the juice is too sweet and too expensive, so too bad.

However the CdG+Stephen Jones fragrance sounds very, very interesting. The bottle and packaging is understated and inventive, too.

Hugs!

Hugs!

Lots of people love that bottle, and since I bought the Harajuku Lovers Im clearly disqualified as any kind of arbiter of taste, LOL..

The CdG might be my last great hope for the yeardo hope its wonderful!

You are not kidding, R. The pickins have not been the best, but I am still holding out for Dans Tes Bras, Sublime Balkiss, Prelude to Love and a couple others.

So true, and I should have thought to try them together! Ill have to do that later. But going off memory, Id take Insolence over this, and really looking forward to trying the new Insolence EdP.

Speaking of violets- Im wearing Keiko Mecheri Genie Des Bois today. It starts of bracing and spicy and green on me. The heart is sweeter and vaguely floral/fruity, and the drydown smells like cloves and cinder. I love it and its perfect for cool, rainy weather. Sadly, Ive almost exhausted my sample and need to decide whether or not to buy it. (Im leaning towards buying it.)

I have not tried that in years, I should give it another go. Ive really never found a perfect violet.

The best bottle (IMO) is Truely. I think I will end up purchasing it. Isnt it $250? I really like the juice so it wouldnt be a wastebut who buys it? I keep thinking I will run into it at a discount.

Ive been lemming this one for the longest, if only just for the bottle.however, for $150 I want more than a red lollipop opening although, the mid to base notes definitely sound worth a sniff. I came to decide that since I have a small child in the house who might see this on the dresser and deem it play worthy because of the little iry, it would be too dangerous. And, its way too costly to have to store in an unseen, out-of-reach location. Thanks for the review!

Actually Im a loser and I do like to bottle! I think it looks gorgeous but not very convenient to carry in my purse anyways. Plus the price gimme some LArtisan Tea for Two or Serge Lutens for that price but Im sorry not Van Cleef and Arpels.

When I was young I would have thought it VERY play-worthy yes, youd have to keep it hidden!

Ack! Someones mentioned the Guerlain I word! I still cant get rid of that connection to the scent of bottled haircolor. OMG, EdP? Im all for it if they kill the candied raspberries and up the ante on the Guerlinade. Interestingly, I actually do like the smell of My Insolence better.

As for Feerie, the price is definitely feersome! I actually like the bottle. Its nice knowing that the look of luxe is back in focus. As for the juice, I think the violet is done much much better than Guerlains offering. Worth a purchase if you can grab a bargain when it finally appears at an online perfume discounter.

IMO, I think the smell of violet is better when they tone down the sweetness and amplify its drier, greener aspects. Feerie is warm, but luckily it doesnt remain sugary sweet as it develops.

Very similar, but not as well constructed as Amethyste by Lalique, coincendently created by the same company that makes Feerie.

I like Feerie, I Idont wear it much, but the bottle is eye candy. actually the fragrance is like a jolly rancher. Yummy until its gone.

The top notes reminded me of hair spray, but I still liked it better than My Insolence well see what theyve done with the EdP. I havent seen it anywhere yet.

I love this perfumeit is soft and sweet not loudim allergic to some perfumes and when I tried this one from a friend I totally loved itit is costly but it is worth it.buying cheap perfume I will sneeze my brain out.good perfumes are costly!!!

First I smelled this one my reaction was MEH

what a cloying-escadas sentiment-ished scent.

So I skiped it,,

Now,, When SA handed me a I recieved it and

put it in my pocket and I totally forgot them.

After awhile, I started to smell something really

Fruity- not fruity that I alway smell something more mature, I guess.

And Finally I found that its Feerie !

But in Thailand this ones price is crazily high

So I tried to find it on E-BAY and I found one !

My store sells it at 6400 Bath ($190+)

But I found it at $105 ! (3350 Bath) !!

And bought it almost half price of my store !

Im really happy and wait for its coming

I got this yesterday and all i can say is ill never buy something without smelling it first! Im totally disapointed, its so light i cant smell it and it doesnt stay on me at all.

I thought it was me but others cant smell it either. The only good thing is the bottle and its not worth the price only for the bottle.

and I love the bottle design, I would buy just for the bottle.

and Ive only ever smelled this by taking the top off and putting my nose to sprayer. so I dont porperly know what this smells like. Ill try it properly next time Im in Harvey Nichols.

its too bad they dont do a 30ml edp.

they do an eau de toilette range and the tops look a lot safer, its just a iry on the lid, no twigs lol. and 30ml edt has no iry on, so your totally safe there aha

I smelled this in Debenhams today.

it is nice, I see it as a fresh scent that has a bit of fruit and florals in it.

its not strong but its long lasting.

but Im afraid its not worth the money

I took a whack at Feerie again today in Debenhams. and at first sniff I really liked it, I forgot I put it on and it kept reminding me it was there but I just couldnt think what it was until I smelled my arm and remembered, its strength surprised me. its a lot stronger than I first thought.

I can also smell more of it this time around, its incredibly pleasant, also smells to me of berries.

but its still too expesive to buy a bottle, its 92 for 100ml in Harvey Nichols and thats the only place I can find it. apart from the Debenhams store in White Rose shopping centre no other Debenhams has it!! not even online. I think the 50ml is 62 and there is no 30ml to my knowledge. its so darn expensive.

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@Persolaise Too funny...I learn about things at about the same time as you try them. Which saves me time of course :-)

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van cleef and arpels fragrance

Tsar Cologne by Van Cleef & Arpels, Launched by the design house of van cleef & arpels in 1989, tsar is classified as a sharp, spicy, lavender, amber fragrance

Gift Set - 3.3 oz Eau De Toilette Spray + 3.4 oz After Shave Balm + 5 oz All- Over Body Shampoo Item 466655

First , Van Cleef , Feerie , Oriens , Reve Elixir , more

Midnight In Paris , Van Cleef , Eau Du Tsar , Zanzibar ,

See all Van Cleef & Arpels products

Sexy Cologne That Lasts!

This is actually the only cologne I will wear. People often compliment me on my scent, and have also told me that they associate the smell of Tsar with me. It is an...Read complete review

This is actually the only cologne I will wear. People often compliment me on my scent, and have also told me that they associate the smell of Tsar with me. It is an intriguing odour, with hints of exotic spice and wood, without being overpowering - definitely a subtle olctory experience.That being said, the value is not great for the price [$] I have to be conservative with the application of this cologne, as the 100 ml bottle goes quickly.Otherwise, Tsar is a versatile, y and intriguing cologne that I would recommend to anyone.

Outdoorsy smell

Kind of rugged and outdoorsy. A little too strong and overpowering but I received a good deal on it due to it being a tester.

Kind of rugged and outdoorsy. A little too strong and overpowering but I received a good deal on it due to it being a tester.

Comments about :

Its very specific smell. Its old shioned. If yiure classic men, youll like it. But dont press the bottom to much time, because than yiull be a real scent boom.

Comments about :

Very old fragance, but still veru actual, with nice smell, to use all day long, and evening too.

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6van cleef and arpels fragrance16

is lee van cleef deadlee van cleef tv series,lunette louis vuitton evidence,Next »,I take a sniff of Midnight In Paris (EDP) by Van Cleef & Arpels . A fragrance that really put VC&A on the map in our community. An excellent blend of notes and found at great prices online.

Timeline :

(2:31) Presentation including pictures

(4:44) General Info including Release Date, How many sprays, notes

(7:08) What does it smell like : top to bottom

(13:01) What I think of it : my take on the fragrance

(19:18) The Rating System6van cleef and arpels fragrance16.

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van cleef and arpels watches for salevan cleef arpels inspired jewelry,When a daughter of a precious stones dealer met a son of a stone-cutter, their love for fine jewelry and creating something lasting bonded them and set the foundation for one of the most extraordinary fine jewelry companies in the world, Van Cleef &ourette (wood) and diamonds all of the utmost quality and luxury. At Portero, one will find a carefully curated collection of Van Cleef & Portero is the place to find the best in authenticated, pre-owned luxury goods. So whether youre on the hunt for a clutch, a tote, a satchel, colored gemstone, diamond, platinum, silver or gold jewelry, vintage Chanel jewelry, bulous Rolex watches, or an Herms scarf or Herms Birkin or Kelly handbag, Portero is your primary source to find the best-of-the-best in pre-owned luxury goods.

All trademarks appearing on the Portero site are the property of their respective owners. Unless otherwise explicitly stated, Portero is not affiliated with the owners of any non- Portero trademarks. Portero is not affiliated with or a licensed partner of the brands we sell, however we do guarantee the authenticity of our items with the Portero Promise. Every item is guaranteed authentic by Portero or a full refund is given.

© 2016 PORTERO LUXURY. ALL RIGHTS RESERVED.

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Functions: Hours, Minutes

Crystal: Sapphire - Anti-reflective

Water Resistance: 30m / 100ft (unsuitable for prolonged contact with water e.g. swimming, bathing)

Bracelet: Leather - White Alligator

Clasp: 18K white gold Ardillon buckle

Crown Material: 18k White Gold set with a Diamond

Bezel Function: Fixed

Bezel Material: 18k white gold set with diamonds

Also Called: Lady Arpels Pont des Amoureux Watch VCARN9VI00

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